Cultural Revolution Narratives: Rethinking History through the Prism of Post-Mao Literature Public Deposited

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Last Modified
  • March 20, 2019
Creator
  • Mortensen, Dáša Pejchar
    • Affiliation: College of Arts and Sciences, Department of History
Abstract
  • Chinese educated youth, or zhiqing, who were sent to the countryside for re-education during the Great Proletarian Cultural Revolution (1966-1976), began to re-frame their historical narratives of this tumultuous decade in the post-Mao period. This essay examines how two distinct genres of post-Mao literature, the Literature of the Wounded (shanghen wenxue) and Nostalgic Literature (huaijiu wenxue), reproduced an imaginary binary between individual memories of the Cultural Revolution and the officially-sanctioned history of this period, while a third genre of literature, the Narration of the Absurd (huangdan xushi), rejected a memory/history dichotomy. Instead of relying on a single narratorial voice, which silences the plurality of voices located in and out of the historical record, the Narration of the Absurd opened up radically new possibilities for narrating, in a non-linear fashion, a multiplicity of perspectives, memories, and uncertainties about the past.
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  • In Copyright
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  • "... in partial fulfillment of the requirements for the degree of Masters of Arts in the Department of History."
Advisor
  • Tsin, Michael
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Place of publication
  • Chapel Hill, NC
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  • Open access
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