THE MUSICAL LANGUAGE OF INDIAN FILM SONG IN THE 1940S Public Deposited

Analytics

Downloadable Content

Download PDF
Last Modified
  • March 19, 2019
Creator
  • Caldwell, John
    • Affiliation: College of Arts and Sciences, Department of Music, Musicology Graduate Program
Abstract
  • This study examines the musical language of Indian film songs in the 1940s, through the last years of British colonial rule and into the early years of national independence. I analyze a small set of film song exemplars to explore how the Indian classical and folk traditions provided cultural capital for the nationalist project even while the values of the film song industry included an omnivorous cosmopolitanism, a love of novelty, and a playful experimentation with genres, forms, instruments, and other musical parameters. I trace the discursive tension between film composers’ anti-colonial stances and their experimentation with Western orchestration and harmonization, operatic idioms, Latin rhythms, Arabic intonation, and other non-Indian musical resources. India’s struggle for independence thus brought the freedom both to repudiate and to re-inscribe the past, while drawing from a global lexicon of musical symbols.
Date of publication
Keyword
Subject
DOI
Identifier
Resource type
Rights statement
  • In Copyright
Advisor
  • Vandermeer, Philip
  • Neal, Jocelyn
  • Rivers Ndaliko, Chérie
Degree
  • Master of Arts
Degree granting institution
  • University of North Carolina at Chapel Hill Graduate School
Graduation year
  • 2015
Language
Publisher
Place of publication
  • Chapel Hill, NC
Access
  • There are no restrictions to this item.
Parents:

This work has no parents.

Items

Thumbnail Title Date Uploaded Visibility Actions
Dj52w503n?file=thumbnail Caldwell_unc_0153M_15805.pdf 2019-04-09 Public