Bersani avec Kubrick Public Deposited

Analytics

Downloadable Content

Download PDF
Request Accessible Version
Last Modified
  • March 20, 2019
Creator
  • Powell, Jeremy
    • Affiliation: College of Arts and Sciences, Department of Communication
Abstract
  • In this paper, Leo Bersani’s critical writings are brought to bear on Stanley Kubrick’s The Shining (1980). Exploring ideas about coupling, relationality, subjectivity and cinema, in this paper Bersani’s account of aesthetic engagement is both affirmed and reinflected. Ingmar Bergman’s Scenes from a Marriage (1973), The Shining, and an online parody trailer called “Shining” are examined. These films reveal narrative cinema’s difficulties in mounting a potent critique of coupling. Bersani’s writings propose that cinema best offers not a critique of coupling, but a relational model for a mode of being in the world. This mode of being, enabled by “the communication of forms,” is an alternative to our usual mode, governed by “the enigmatic signifier.” However, we can survive in either of these modes only through an oscillation between the two.
Date of publication
DOI
Resource type
Rights statement
  • In Copyright
Advisor
  • Cante, Richard C.
Language
Access
  • Open access
Parents:

This work has no parents.

Items

Thumbnail Title Date Uploaded Visibility Actions
1c18dh05j?file=thumbnail Bersani avec Kubrick 2019-04-11 Public