"El Pájaro: Pincel y Tinta China" y "La Sombra Del Caminante": Dos Novelas Antidetectivescas de Ena Lucía Portela Public Deposited

Analytics

Downloadable Content

Download PDF
Request Accessible Version
Last Modified
  • March 19, 2019
Creator
  • Campilongo Ortega, Xiomara
    • Affiliation: College of Arts and Sciences, Department of Romance Studies
Abstract
  • This dissertation argues that the first two novels of Ena Lucía Portela: El pájaro: pincel y tinta china, published in 1998 and La sombra del caminante, in 2001 subvert the traditional detective formula in order to capture the real streets of Havana, unmasking the violence supposedly eradicated as a result of the Cuban revolutionary project that started in 1959, and therefore manifesting its failure. I provide an overview of the history of the detective and anti-detective genres both in the world and in Cuba, and I situate Portela´s novels in the Special Period, an economic depression that began in 1989. Using the typology of Stefano Tani, I examine Portela’s books as anti-detective, establishing El pájaro as a meta-fictional anti-detective novel, and La sombra as an innovative anti-detective novel.
Date of publication
Keyword
Subject
DOI
Identifier
Resource type
Rights statement
  • In Copyright
Advisor
  • Dominguez, Frank
  • Perelmuter, Rosa
  • Estrada, Oswaldo
  • Carrasco, Cristina
  • Salgado, María Antonía
Degree
  • Doctor of Philosophy
Degree granting institution
  • University of North Carolina at Chapel Hill Graduate School
Graduation year
  • 2015
Language
Publisher
Place of publication
  • Chapel Hill, NC
Access
  • There are no restrictions to this item.
Parents:

This work has no parents.

Items

Thumbnail Title Date Uploaded Visibility Actions
Pk02cb09k?file=thumbnail Campilongo_unc_0153D_15592.pdf 2019-04-09 Public