Ego-Alter Ego: Double and/as Other in the Age of German Poetic Realism Public Deposited

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Creator
  • Pizer, John
Abstract
  • German Poetic Realists drew on the Romantic motif of the Double in a manner consistent with the central dictum of Poetic Realism as articulated by its chief theorists, Julian Schmidt and Otto Ludwig. Schmidt and Ludwig argued that contemporary authors should, above all, strive for psychological and aesthetic totality in their narrative representations, turning away from the Romantic fantastic but also avoiding the fragmentary approach to the portrayal of everyday life that Ludwig found in early Naturalism. The 'poetic' presentation of reality adheres to quotidian life but strives to show it in all its many dimensions. While Romantic Doppelgänger are often preternatural figures, the Poetic Realists configure egos and their narrative Others ('alter egos,' who are also sometimes physical Doubles) to portray characters in their psychological comprehensiveness. After offering an overview of the Romantic Double motif and its connections to the theory of Poetic Realism, John Pizer analyzes the work of Annette von Droste-Hülshoff, Otto Ludwig, Conrad Ferdinand Meyer, Gottfried Keller, Theodor Storm, and Wilhelm Raabe.
Date of publication
Subject
DOI
Resource type
  • Book
Rights statement
  • In Copyright
License
  • Attribution-NonCommercial-NoDerivs 3.0 United States
Series
  • UNC Studies in the Germanic Languages and Literatures
Publisher
  • University of North Carolina Press
ISBN
  • 9781469656533
Language
  • English
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