ingest cdrApp 2017-08-15T23:13:37.929Z d91e81c8-5a8a-4e8a-976c-cad4e396e5ee modifyDatastreamByValue RELS-EXT fedoraAdmin 2017-08-15T23:14:41.939Z Setting exclusive relation modifyDatastreamByValue RELS-EXT fedoraAdmin 2017-08-15T23:14:42.548Z Setting exclusive relation addDatastream MD_TECHNICAL fedoraAdmin 2017-08-15T23:14:43.190Z Adding technical metadata derived by FITS modifyDatastreamByValue RELS-EXT fedoraAdmin 2017-08-15T23:15:00.965Z Setting exclusive relation addDatastream MD_FULL_TEXT fedoraAdmin 2017-08-15T23:15:11.381Z Adding full text metadata extracted by Apache Tika modifyDatastreamByValue RELS-EXT fedoraAdmin 2017-08-15T23:15:29.538Z Setting exclusive relation modifyDatastreamByValue RELS-EXT cdrApp 2017-08-22T13:59:34.740Z Setting exclusive relation modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-01-25T03:48:14.038Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-01-27T04:23:13.715Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-03-14T00:21:00.872Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-05-16T21:46:10.483Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-07-10T22:52:22.444Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-07-17T18:57:55.283Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-08-08T18:24:36.295Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-08-15T15:32:46.011Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-08-16T18:35:57.296Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-09-21T16:02:32.225Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-09-26T19:06:17.333Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2018-10-11T19:50:30.330Z modifyDatastreamByValue MD_DESCRIPTIVE cdrApp 2019-03-20T12:52:13.027Z Cynthia Hogan Author Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. Summer 2017 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. Summer 2017 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. Summer 2017 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017-08 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 University of North Carolina at Chapel Hill Degree granting institution Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism; Museum studies; Religion in art museums; Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences The Art of Religion: Aestheticizing Christian, Jewish, and Muslim Religious Artifacts This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism, Museum studies, Religion in art museums, Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Religious Studies Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Cynthia Hogan Creator Department of Religious Studies College of Arts and Sciences This dissertation examines the ways in which new meanings and new categories of knowledge about religious artifacts are produced and disseminated by public fine arts museums and academic art history. Through three case studies of artifacts originally produced for religious use, (1) a thirteenth-century medieval Spanish Crucifix in the Memorial Art Gallery at the University of Rochester, New York, (2) an early twentieth-century Iraqi Tik at the North Carolina Museum of Art, and (3) a fourteenth-century Iranian Mihrab at the Metropolitan Museum of Art, I trace the ways through which religious artifacts are reframed as objects of fine art that are collected and exhibited in fine arts museums. As religious artifacts are incorporated into the museum industry, they are encoded with new secularized meanings through the disciplinary lens of academic art history, altering their original religious value and replacing it with aesthetic value. Further, the narratives that fine arts museums tell about their own histories, which immortalize founders, donors, buildings, and collections, eclipse the religious significance of the particular religious artifacts contained within fine arts museums. As the fine arts museum itself comes to be memorialized and valued in religious ways, religious artifacts, in turn, are secularized through the twin processes of aestheticization and musealization. 2017 Religion Museum studies Art history Art criticism; Museum studies; Religion in art museums; Religious art eng Doctor of Philosophy Dissertation University of North Carolina at Chapel Hill Graduate School Degree granting institution Randall Styers Thesis advisor Jonathan Boyarin Thesis advisor John Coffey Thesis advisor David Morgan Thesis advisor Todd Ochoa Thesis advisor text 2017-08 Hogan_unc_0153D_17236.pdf uuid:19b92567-789b-4d41-9fe1-ebb211109731 2019-08-15T00:00:00 2017-07-11T20:30:24Z proquest application/pdf 89421325 yes