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The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Thesis advisor DeGuzm√°n, Mar√≠a.; creator Risner, Jonathan. English and Comparative Literature; UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Thesis 4357 eng Blood runs : the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Thesis advisor DeGuzm√°n, Mar√≠a.; creator Risner, Jonathan. English and Comparative Literature; UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Thesis 4357 eng Blood runs : the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Thesis advisor DeGuzm√°n, Mar√≠a.; creator Risner, Jonathan. English and Comparative Literature; UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Dissertation 4357 eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Dissertation 4357 eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Dissertation eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria UNC Electronic Theses and Dissertations University of North Carolina at Chapel Hill Dissertation eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria University of North Carolina at Chapel Hill Dissertation eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria University of North Carolina at Chapel Hill Dissertation eng Blood runs: the circulation of Argentine horror cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria Dissertation eng Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Risner, Jonathan Department of English and Comparative Literature College of Arts and Sciences Thesis advisor DeGuzman, Maria Dissertation eng Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences Thesis advisor Maria DeGuzman Dissertation eng Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences Thesis advisor Maria DeGuzman Dissertation eng Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences María DeGuzmán Thesis advisor Dissertation eng University of North Carolina at Chapel Hill Degree granting institution Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences María DeGuzmán Thesis advisor Dissertation eng University of North Carolina at Chapel Hill Degree granting institution Blood Runs: The Circulation of Argentine Horror Cinema in Argentina and the United States 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences María DeGuzmán Thesis advisor Dissertation eng 2012-05 The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. Creator Jonathan Risner Department of English and Comparative Literature College of Arts and Sciences María DeGuzmán Thesis advisor Dissertation eng Blood runs : the circulation of Argentine horror cinema in Argentina and the United States The following dissertation focuses on six Argentine horror films available in the United States and Argentina and how the films' circulation in two national markets is reflected in multiple sociopolitical allegories concerning both countries. 9/11, the War in Iraq, legacies of Argentina's Dirty War (1976-83), the neoliberalization and 2001 economic collapse of Argentina, and the city/country divisions figure into the movies as scenes or fragments of scenes. The six films use well-known horror cinema motifs to not only help the films be recognized as horror by U.S. and Argentine consumers, but also to portray the aforementioned events in a different light. The films tender new modes of seeing national and global crises and contribute to cultural and political discourses on topics such as violence, memory, urban decay, citizenship, and the failure of government institutions. ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the department of English and Comparative Literature. University of North Carolina at Chapel Hill (Jonathan Risner.) DeGuzm√°n, Mar√≠a.; Risner, Jonathan. Thesis uuid:999b26a5-64f3-4b9a-be2d-c2e21243189b 4357 eng UNC Electronic Theses and Dissertations 4361.pdf application/pdf 2325584 false yes 2019-09-01T00:00:00